Sunday, May 30, 2010

Dennis Hopper


tangled devious your solidity distracting
snapshots of autumn orange oblige–professing wit
glossed moments happen, like smooth sunshine
the sluts story mirrors solitary possessed acts

exuded, swallowed static prelude
mishaps, imagining twisted maleness
oversexed systems process dissatisfied understanding

sheer sky and clicking heat
software torture slow solid nibble below
cynical daylight raced and crazed

damned poetry
bloody transcendence instilled
encouragement starts with the belt

lessons spill poppycock–intermittently dead and embarrassed
bared girls increase ridiculous questions
psychotic animal dissipates– soaked and stiff
reboot–trace realization destroyed handfuls of sound vibrations

reaching for time

Sea Creature Videos by MORPHOLOGIC

Great Black Keys Video


Wednesday, May 26, 2010

‘Sounds Like, An Exhibition’






Bi-King by SungKug Kim




Survival In The City







Survival in the City (1974) is pitched as a guidebook to urban self-preservation, an encyclopedia of tips and tricks for the everyman on a visit to a big city. It covers everything: transport, accommodation, going out and (most terrifyingly of all) other people. What makes it fantastic is that Greenbank has clearly watched Taxi Driver* one too many times during his research and the resulting book is one big paranoid rave about muggers, card-sharks and drag queens.

The best chapters are the ones focused on nightlife or the ‘trials and temptations of CITY BRIGHT LIGHTS’ as Greenbank puts it. If you’ve ever wanted to know how to properly buy a drink, safely handle a drug-dealer or survive a bar-brawl then worry no longer, instructions are at hand. In Greenbank’s city, you’re doing pretty well if you’ve not had your wallet stolen by a drink-spiking transvestite after mistakenly walking into a poorly signposted “gay” bar. Even the text itself is funny, a mind-boggling barrage of panicky capitals, footnotes and back-referencing that is almost unreadable.

If you can get hold of Survival in the City, I’d really recommend it. It’s brills. Here’s a few little paragraphs as a taster with a selection of Colin Harrington’s illustrations thrown in:

SHAKE OFF FEAR PHYSICALLY
Place the fingertips on your stomach just below the solar plexus. Breathe in deeply, press hard with the fingers and bend over forwards. Hold this position and count one-two-three. Now let the breath come out slowly and stand upright. Repeat this effective measure until you feel calmer.
This will reduce the tension in your head and allow you to concentrate.

AVOID BABY SNATCHING
Use fluids to keep you awake when pram pushing (see also THE SHEEP: p. 31). Know the danger of falling asleep if troubled/tired/hot on warm grass; your infant could be stolen (possibly by other children).

SIDETRACK SEX
Quell sexual urges when elderly/male/lonely before joining crowds in summer dress – tennis tournaments etc. It is far safer to masturbate first than yield to sudden temptation to brush/stroke/fondle female spectators in scanty attire when hot-weather atmosphere becomes too heady.

TOLERATE TRANSVESTITES
Expect men-dressed-up-as-eye-pulling-women in dancehalls, ballrooms, speakeasies, discos, restaurants, cinemas, night clubs and bars. Reasons: a bar/club/cafĂ© may be a hangout for homosexual prostitutes – some or all in drag; a straight bar could have been infiltrated by freelance drag queens prepared to be picked up by the unsuspecting (You) – or they may take it for granted you know (when you don’t); or they may be bag snatchers dressed as women.
NEVER get uptight when you discover your companion is of the same sex as you. Hetrosexuals – pass it off. Don’t recoil in horror, or become violent when not normally given to scrapping.
Transvestites can be vicious – they have fewer inhibitions than normal men and rejection antagonizes them for they think they are beautiful; they also keep together and gang up; some have all-men minders too. So be careful if you encounter any.

KEEP YOUR SHIRT ON DANCING
Don’t get rattled – or rattle others – on a crowded dance floor when a spinning couple knock into you, a balloon-pricking maniac bursts your balloon, your partner abandons you or a stranger accuses you of treading on his shoes.
Follow the dance style of the particular establishment: ballroom-tea-dance/disco/night club. Don’t dance differently for the sake of being different.
Remember: a male may “dance” by resting his crotch on a stair rail or banister and squirming his pelvis –
don’t react. If that’s this particular night club scene, go along with it.

STRIPPED NAKED
Improvise clothing when yours is stolen by a female working from a “trick pad” – a room in a sleazy hotel or cheap apartment building (see also THE WINNER: p. 304).
A PILLOWCASE can become a tee shirt when slit across the end for your head and down each side for your arms; start the slits with broken mirror/wooden splinter/burst bedspring, then rip the fabric slowly.
A PIECE OF SHEET 2 ft. SQUARE will make “shorts”; tear the sheet as for the pillowcase; wrap the cloth round your loins diaper-style; knot the corners.
Face the building superintendent without blustering. Ask to borrow trousers/shirt/shoes. It is not an occasion for threatening police action.

Jack



'Jack The Hard Worker'. You can't beat a guy who'll paint himself blue and do some ironing in front of a crowd.

what I wore today..



Up There

UP THERE from Jon on Vimeo.


Up There by Malcolm Murray documents the dying art of hand-painted advertising in New York. Half balls-out burly labour, half skilled craft - these guys do some job.

Tuesday, May 25, 2010

Popper Shots







Photographer Ruth Bayer has published a book of her pictures of people getting high on good old-fashioned amyl nitrate, in all their sweating, tomato-faced glory. When we'd stopped laughing, we asked her a few questions about the project.

Frazil Ice


Frazil ice looks like patches of snow, nestled among the trees. But it's actually a Slushee-esque mixture of ice crystals that form in bitterly cold waters—like the kind that run through Yosemite National Park in early spring. Watching this video, you can see how frazil ice can appear to be just your average slushy creek water, and, the next minute, turns into what looks like solid (if snowy) ground. And then the ground moves.

If you're thinking that it's potentially dangerous, you'd be right. In the video, park rangers talk about the risk of falling through frazil ice into frigid water deeper than your head.

There IS an app for that!

Artificial Butterfly




The beautiful rubber band-powered artificial butterfly is helping researchers understand the flight of swallowtails. Hiroto Tanaka of Harvard University and Isao Shimoyama of the University of Tokyo built the balsa-wood machine, which boasts thin polymer film wings with "veins" made with a silicon-etching technique. The artificial butterfly enables them to control the flight mechanisms in ways they couldn't do with live butterflies.

Handfish



Handfish are fish. They have fins that look an awful lot like hands. Instead of swimming, they walk on these fins. If you ever suspected that anything remotely approaching the status of "missing link" would end up looking patently ridiculous—congratulations, you're right. At that handfish's expense.

Above is a pink handfish, one of nine newly identified species of the handfish family. Only four specimens of pink handfish have ever been found. And nobody has spotted a living one since 1999. (The inevitable crushing self-esteem issues must be keeping them out of public view.) The line between different species, in this case, seems to be mostly drawn along physical differences, according to National Geographic, which has organized the wide array of handfish diversity into a fascinating slideshow.

Peter Doig





A figure standing on the branches of a tree; a long-haired man in a canoe staring out at the river; a boy lost in concentration testing the ice on a frozen pond. Welcome to the painterly world of Peter Doig, whose imagery comes from a variety of sources - part memory, part art history, part borrowing from magazines, film stills, and posters.

Adam Baz



Whimsical mixed media work from west coaster Adam Baz. His mystical drawings unfold with simple yet refined details and bursts of color. Also reminds me a little bit of of Zachary Rossman’s work, which is definitely a good thing.

Sunday, May 23, 2010

Ceramic Speakers + Amplifier


"A seamless marriage of drool-worthy design and audiophile-worthy sound." -Wired

Simple Materials
The Ceramic Speakers are made from porcelain, cork, and Baltic birch. Each material is minimally finished, left to add its natural beauty to the design. The included amplifier is made from stainless steel sheet metal, with a cast iron base and paulownia volume slider. Aside from the electronic components, plastic is completely avoided in the system's construction.

Intense detail
Typical speakers are designed to play even the most compressed or poorly recorded track. They gloss over the details that give high-resolution music its depth. The Ceramic Speakers' custom-made drivers, porcelain and cork enclosures, and Tripath amplifier reveal every nuance. They will show the difference between lossless and mp3 files, and will unlock vinyl's richness.

Tuesday, May 18, 2010

Light and Space














Peter Alexander, born in Los Angeles in 1939, is an artist of the Light and Space movement.

Sunday, May 16, 2010

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Sculptures by Hiroyuki Hamada

Paint happenings..







Paintings by Molly Dilworth
Title: Raymond Tallis